SweetGina
 
 
 
SweetGina's stats
 
  • Review count
    2
  • Helpfulness votes
    0
  • First review
    March 31, 2013
  • Last review
    December 22, 2013
  • Featured reviews
    0
  • Average rating
    4.5
 
Questions
  • Question count
    0
  • Helpfulness votes
    0
  • First question
    None
  • Last question
    None
  • Featured questions
    0
 
  • Answer count
    2
  • Helpfulness votes
    0
  • First answer
    March 31, 2013
  • Last answer
    December 22, 2013
  • Featured answers
    0
  • Best answers
    0
 
 
SweetGina's Reviews
 
Even if you get covered in popcorn, you won't want to stop the clown from posing as an usher and engaging in some pre-show debauchery with the crowd. With his black suit and disheveled gray hair, he has no problem amusing people. The clown is zany, mischievous and your first exposure to the unknown at Mystère by Cirque du Soleil at Treasure Island. What's ahead is a wondrous world of mystifying creatures who perform a series of incredible acrobatic and gymnastic feats.When Mystère opened in 1993, the show was the first Cirque du Soleil production in Vegas. Emphasizing awe-inspiring athleticism and imaginative imagery, it embraces all of the signature Cirque du Soleil elements that have made the production company a mainstay on the Las Vegas Strip.From rebirth to the pursuit of happiness, each of the characters and acts in Mystère symbolizes something different. They combine to create an overall theme for the show as a celebration of the circle of life. Some audience members may interpret each act as an allegory, but with the innovative costumes and performances, realizing those themes isn't necessary for enjoying this show.What makes Mystère so endearing is that many of the performances are typical circus-style acts like the flying trapeze, an aerialist and the teeterboard, an acrobatic tool where a person jumps on one end of what looks like a seesaw and the person on the other end is launched into the air. However, in Mystère, the boundaries of those disciplines are pushed, creating fantastical routines that you won't see in any other production.For instance, in the hand-to-hand routine, two muscular men demonstrate a series of gravity-defying poses and their incredible strength, but they don't even perform on a flat surface. In Mystère, the men do this while balancing on a rotating dome, adding to the awesomeness of their routine.The Tissu act is another example. In this routine a female aerialist performs while suspending herself with two pieces of fabric hanging from the ceiling. This type of act can be seen in other shows on the Strip, but in Mystère the performer combines contortion, acrobatics and movement in her routine, creating optical illusions that defy imagination.Music played by live musicians and singers drives the show. Mixing elements of everything from rock to Celtic, African and soul music, the soundtrack is just as mysterious as the action on stage.Along with awe-inspiring moments, Mystère offers a hearty does of comedy brought on by the clown "usher" and an adult-sized baby. They appear on stage throughout the show. The clown and baby don’t tell jokes, but their wacky antics and interactions with the audience make people laugh. It's hard not to chuckle when you see a man on stage wearing a diaper and a bonnet.When the comedy segments come to a close, the show quickly changes pace. Once again the audience is sitting in amazement at another thrilling routine. One of these is the Chinese Poles. For this act a group of gymnasts perform on four vertical poles. They crawl, jump and flip up, down and across the poles. Their masks add to the implausibility of their performance. While their bodies face away from the audience, their masks are looking right at them. It seems impossible, but then again, this is Mystère.-- By Caroline Fontein
 
Overall rating 
4 / 5
4 / 5
Customer service 
5 / 5
5 / 5
Accuracy of VEGAS.com's Description 
5 / 5
5 / 5
View of Stage 
5 / 5
5 / 5
Theater Quality 
5 / 5
5 / 5
Special Effects 
3 / 5
3 / 5
Sound Quality 
4 / 5
4 / 5
Customer avatar
fromSeattle, WA
Age:25 to 34
Gender:Female
Travel Purpose:Vacation/Pleasure
Travel Companions:Friends
Purchase Frequency:More than 3 times a year
Gambler:Yes
Game:Blackjack
Yes, I recommend this product.
Great show
PostedDecember 22, 2013
This show was very active, which means no time to fall asleep, better than KA show. The old guy in the black suit was funny, making the show more interesting. My boyfriend and I absolutely loved it.
0points
0of 0voted this as helpful.
 
Get a taste of a more sensuous side of reality with Cirque du Soleil's Zumanity at New York-New York. This show explores the different realms of sexuality through stunning imagery, aerialists, comical vignettes and sultry dancing. Unlike other Cirque du Soleil productions, Zumanity has no storyline. Instead, this highly eroticized, cabaret-style spectacular has an array of unique characters whose performances are each themed by different elements of sexuality.Before the show starts, characters appear in the audience for some playful interaction."If you are visiting Las Vegas and living la vida loca make some noise!" exclaims Antonio, the first character to appear. His irresistible charm, flirtatious personality and shiny gold suit captivate the audience.While he gets the crowd aroused with some jokes, the voluptuous Botero twin sisters, dressed in racy French maid outfits, squeeze their way through the aisles. Everyone laughs as the sisters find themselves in awkward positions reaching or bending over guests while trying to hand out fresh strawberries.Little by little, Antonio and the twins make their way to the stage with a parade of other intriguing characters as the real show begins. The show's Emcee, Edie, "the Mistress of Sensuality," is played by a flawless looking drag queen who explains that she will be your tour guide on your journey through the many facets of lust, passion and sensuality.Intense drum beats fill the theater as a savage looking dancer, dressed in little more than a beaded loin cloth, performs an African tribal dance of uninhibited passion. The music intensifies as he gyrates and thrusts his body to the beat of the drums.As new performers take the stage, the tone changes from subtle flirtations to that of hedonistic pleasure. The transition of acts and moods emulates the surge of various emotions that arise in every romantic relationship.Edie reappears to introduce the next act, a slower more sensual number that conveys innocence in the face of sinful indulgence."Do you remember your first wet kiss?" asks Edie as a large bowl of water and two beautiful women appear on stage. They slip into the water and gracefully make their way to the bowl's edge for a series of incredible and sensuous poses.The different acts and performers not only explore the many sides of sexuality but they also demonstrate the amazing capabilities of the human body.The tone of the show then transforms into that of flirtatious fun as a striking woman dressed in a sexy schoolgirl outfit performs an act with hula hoops. After spinning a few hoops she takes to flight by grabbing a rope hanging from the ceiling. She gracefully twists and poses above the stage while continuing to spin the hoops in mid-air.Each of the performers is unique in their personalities and appearances, promoting the idea that beauty comes in all shapes and sizes.The Bolero sisters, along with a hilarious husband and wife duo, Mr. Dick and Mrs. Ginger, appear throughout the show for some comic relief. They turn some of the more taboo topics on sex into a source of laughter and fun for the audience.Elena, a gorgeous and sweet dancer, does a tantalizing routine on top of a television in attempt to grab the attention of her football-focused partner. Her sultry dance moves excite everyone in the audience.There are no topics off limits as Zumanity explores some of the darker sides of sex. Laetitia performs an exercise in self-inflicted pleasure and pain as she wraps herself in leather straps hanging from the ceiling. She uses the straps as a device for torture and teasing as she elegantly transitions into new poses while hanging above the stage.This intense scene is followed by a more romantic number with a male and female aerialist duo who perform a stunning dance using a white curtain hanging from the ceiling. They dazzle the audience with their graceful choreography in mid air before making their way back to the stage.Zumanity's uninhibited theme is a refreshing break from the norm. It takes an amusing look at sexuality and reminds us all that intimacy should always be about having fun.-- By Caroline Fontein
 
Overall rating 
5 / 5
5 / 5
Customer service 
5 / 5
5 / 5
Accuracy of VEGAS.com's Description 
5 / 5
5 / 5
View of Stage 
5 / 5
5 / 5
Theater Quality 
5 / 5
5 / 5
Special Effects 
5 / 5
5 / 5
Sound Quality 
5 / 5
5 / 5
Customer avatar
fromSeattle, WA
Age:25 to 34
Gender:Female
Yes, I recommend this product.
Best show in Vegas!
PostedMarch 31, 2013
This show is definately worth watching. My boyfriend and I laughed so bad and of course enjoyed the show. I think it is better than the so-called three best shows in Vegas.
0points
0of 0voted this as helpful.
 
SweetGina's Questions
 
SweetGina has not submitted any questions.
 
SweetGina's Answers
 
Even if you get covered in popcorn, you won't want to stop the clown from posing as an usher and engaging in some pre-show debauchery with the crowd. With his black suit and disheveled gray hair, he has no problem amusing people. The clown is zany, mischievous and your first exposure to the unknown at Mystère by Cirque du Soleil at Treasure Island. What's ahead is a wondrous world of mystifying creatures who perform a series of incredible acrobatic and gymnastic feats.When Mystère opened in 1993, the show was the first Cirque du Soleil production in Vegas. Emphasizing awe-inspiring athleticism and imaginative imagery, it embraces all of the signature Cirque du Soleil elements that have made the production company a mainstay on the Las Vegas Strip.From rebirth to the pursuit of happiness, each of the characters and acts in Mystère symbolizes something different. They combine to create an overall theme for the show as a celebration of the circle of life. Some audience members may interpret each act as an allegory, but with the innovative costumes and performances, realizing those themes isn't necessary for enjoying this show.What makes Mystère so endearing is that many of the performances are typical circus-style acts like the flying trapeze, an aerialist and the teeterboard, an acrobatic tool where a person jumps on one end of what looks like a seesaw and the person on the other end is launched into the air. However, in Mystère, the boundaries of those disciplines are pushed, creating fantastical routines that you won't see in any other production.For instance, in the hand-to-hand routine, two muscular men demonstrate a series of gravity-defying poses and their incredible strength, but they don't even perform on a flat surface. In Mystère, the men do this while balancing on a rotating dome, adding to the awesomeness of their routine.The Tissu act is another example. In this routine a female aerialist performs while suspending herself with two pieces of fabric hanging from the ceiling. This type of act can be seen in other shows on the Strip, but in Mystère the performer combines contortion, acrobatics and movement in her routine, creating optical illusions that defy imagination.Music played by live musicians and singers drives the show. Mixing elements of everything from rock to Celtic, African and soul music, the soundtrack is just as mysterious as the action on stage.Along with awe-inspiring moments, Mystère offers a hearty does of comedy brought on by the clown "usher" and an adult-sized baby. They appear on stage throughout the show. The clown and baby don’t tell jokes, but their wacky antics and interactions with the audience make people laugh. It's hard not to chuckle when you see a man on stage wearing a diaper and a bonnet.When the comedy segments come to a close, the show quickly changes pace. Once again the audience is sitting in amazement at another thrilling routine. One of these is the Chinese Poles. For this act a group of gymnasts perform on four vertical poles. They crawl, jump and flip up, down and across the poles. Their masks add to the implausibility of their performance. While their bodies face away from the audience, their masks are looking right at them. It seems impossible, but then again, this is Mystère.-- By Caroline Fontein
 

taking a picture

while watching a show could i make a picture of the show.?Or making
movie.?
Absolutely not.
8 months ago
Customer avatar
by
SweetGina
Seattle, WA
 
Get a taste of a more sensuous side of reality with Cirque du Soleil's Zumanity at New York-New York. This show explores the different realms of sexuality through stunning imagery, aerialists, comical vignettes and sultry dancing. Unlike other Cirque du Soleil productions, Zumanity has no storyline. Instead, this highly eroticized, cabaret-style spectacular has an array of unique characters whose performances are each themed by different elements of sexuality.Before the show starts, characters appear in the audience for some playful interaction."If you are visiting Las Vegas and living la vida loca make some noise!" exclaims Antonio, the first character to appear. His irresistible charm, flirtatious personality and shiny gold suit captivate the audience.While he gets the crowd aroused with some jokes, the voluptuous Botero twin sisters, dressed in racy French maid outfits, squeeze their way through the aisles. Everyone laughs as the sisters find themselves in awkward positions reaching or bending over guests while trying to hand out fresh strawberries.Little by little, Antonio and the twins make their way to the stage with a parade of other intriguing characters as the real show begins. The show's Emcee, Edie, "the Mistress of Sensuality," is played by a flawless looking drag queen who explains that she will be your tour guide on your journey through the many facets of lust, passion and sensuality.Intense drum beats fill the theater as a savage looking dancer, dressed in little more than a beaded loin cloth, performs an African tribal dance of uninhibited passion. The music intensifies as he gyrates and thrusts his body to the beat of the drums.As new performers take the stage, the tone changes from subtle flirtations to that of hedonistic pleasure. The transition of acts and moods emulates the surge of various emotions that arise in every romantic relationship.Edie reappears to introduce the next act, a slower more sensual number that conveys innocence in the face of sinful indulgence."Do you remember your first wet kiss?" asks Edie as a large bowl of water and two beautiful women appear on stage. They slip into the water and gracefully make their way to the bowl's edge for a series of incredible and sensuous poses.The different acts and performers not only explore the many sides of sexuality but they also demonstrate the amazing capabilities of the human body.The tone of the show then transforms into that of flirtatious fun as a striking woman dressed in a sexy schoolgirl outfit performs an act with hula hoops. After spinning a few hoops she takes to flight by grabbing a rope hanging from the ceiling. She gracefully twists and poses above the stage while continuing to spin the hoops in mid-air.Each of the performers is unique in their personalities and appearances, promoting the idea that beauty comes in all shapes and sizes.The Bolero sisters, along with a hilarious husband and wife duo, Mr. Dick and Mrs. Ginger, appear throughout the show for some comic relief. They turn some of the more taboo topics on sex into a source of laughter and fun for the audience.Elena, a gorgeous and sweet dancer, does a tantalizing routine on top of a television in attempt to grab the attention of her football-focused partner. Her sultry dance moves excite everyone in the audience.There are no topics off limits as Zumanity explores some of the darker sides of sex. Laetitia performs an exercise in self-inflicted pleasure and pain as she wraps herself in leather straps hanging from the ceiling. She uses the straps as a device for torture and teasing as she elegantly transitions into new poses while hanging above the stage.This intense scene is followed by a more romantic number with a male and female aerialist duo who perform a stunning dance using a white curtain hanging from the ceiling. They dazzle the audience with their graceful choreography in mid air before making their way back to the stage.Zumanity's uninhibited theme is a refreshing break from the norm. It takes an amusing look at sexuality and reminds us all that intimacy should always be about having fun.-- By Caroline Fontein
 

My child is 2.5 years old can he attend the show?

No, he must be 18 or older.
1 year, 5 months ago
Customer avatar
by
SweetGina
Seattle, WA