banakhar
 
 
 
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    March 23, 2013
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Even if you get covered in popcorn, you won't want to stop the clown from posing as an usher and engaging in some pre-show debauchery with the crowd. With his black suit and disheveled gray hair, he has no problem amusing people. The clown is zany, mischievous and your first exposure to the unknown at Mystère by Cirque du Soleil at Treasure Island. What's ahead is a wondrous world of mystifying creatures who perform a series of incredible acrobatic and gymnastic feats.When Mystère opened in 1993, the show was the first Cirque du Soleil production in Vegas. Emphasizing awe-inspiring athleticism and imaginative imagery, it embraces all of the signature Cirque du Soleil elements that have made the production company a mainstay on the Las Vegas Strip.From rebirth to the pursuit of happiness, each of the characters and acts in Mystère symbolizes something different. They combine to create an overall theme for the show as a celebration of the circle of life. Some audience members may interpret each act as an allegory, but with the innovative costumes and performances, realizing those themes isn't necessary for enjoying this show.What makes Mystère so endearing is that many of the performances are typical circus-style acts like the flying trapeze, an aerialist and the teeterboard, an acrobatic tool where a person jumps on one end of what looks like a seesaw and the person on the other end is launched into the air. However, in Mystère, the boundaries of those disciplines are pushed, creating fantastical routines that you won't see in any other production.For instance, in the hand-to-hand routine, two muscular men demonstrate a series of gravity-defying poses and their incredible strength, but they don't even perform on a flat surface. In Mystère, the men do this while balancing on a rotating dome, adding to the awesomeness of their routine.The Tissu act is another example. In this routine a female aerialist performs while suspending herself with two pieces of fabric hanging from the ceiling. This type of act can be seen in other shows on the Strip, but in Mystère the performer combines contortion, acrobatics and movement in her routine, creating optical illusions that defy imagination.Music played by live musicians and singers drives the show. Mixing elements of everything from rock to Celtic, African and soul music, the soundtrack is just as mysterious as the action on stage.Along with awe-inspiring moments, Mystère offers a hearty does of comedy brought on by the clown "usher" and an adult-sized baby. They appear on stage throughout the show. The clown and baby don’t tell jokes, but their wacky antics and interactions with the audience make people laugh. It's hard not to chuckle when you see a man on stage wearing a diaper and a bonnet.When the comedy segments come to a close, the show quickly changes pace. Once again the audience is sitting in amazement at another thrilling routine. One of these is the Chinese Poles. For this act a group of gymnasts perform on four vertical poles. They crawl, jump and flip up, down and across the poles. Their masks add to the implausibility of their performance. While their bodies face away from the audience, their masks are looking right at them. It seems impossible, but then again, this is Mystère.-- By Caroline Fontein
 

I'm from KSA and I'll book my tickets online; does the tickets will send to my P.O. Box or can I print it from the website and bring it with me.

1 year, 8 months ago
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banakhar
 
Zarkana by Cirque du Soleil brings another incredible production to the Las Vegas Strip at Aria Resort & Casino. The show opened in November 2012, but was re-imagined in early 2014. Before Vegas, Zarkana was a touring production that performed at the Radio City Music Hall in New York City, Madrid Arena in Spain and Kremlin State Palace Theatre in Moscow.To watch Zarkana is much like stepping into a Russian theater haunted by spastic ghosts who have invited acrobats onto their stage to entertain them.Audiences that have seen the show in other locations will notice a more intimate viewing experience in Vegas. With about 1,800 seats, the theater at Aria has been the show's smallest venue.The cast of about 70 performers portrays an eclectic collection of colorful eccentrics. Throughout the show, a small ensemble remains on stage, adding a playful element to the main acts as they perform incredible stunts from walking on the highwire while dodging a swinging pendulum ball of fire to soaring through the air on the flying trapeze.Early on, the audience falls quiet when the Atherton twin brothers soar through the theater on aerial straps for an intimate performance.A live band performs from stylized platforms located on each side of the stage. As the acts change so does the scenery. Multiple layers of LED screens create stunning visuals themed to each featured act.One of these instances is when "snake lady" slinks from behind the curtain. Sprouting from a pile of coiled snakes, she's not alone on stage. Surrounding her are infinite serpents slithering across the massive LED screens that frame the stage.In true Cirque form, the show also features a male clown duo that break up the show with laughs amidst the awe-inspiring moments on stage. Their comical gestures and sounds prompt laughs from the crowd. Later in the show they pull a woman from the audience to join them on stage to help demonstrate their electric chair. Let's just say, sparks fly.Another highlight is when a spider woman descends from above the stage. Wearing a shiny, form-fitting, black suit, she sings while hanging upside down. Audiences will recognize her from the Zarkana posters displayed on the Strip. Her lyrics are the soundtrack for performers on the flying trapeze. Along with the spider woman, the stage is filled with layers of webs that allow just enough space for the trapeze artists to swing, flip and fly high above the stage.A 15-person banquine team is the last featured act in the show. Consisting of men and women, the acrobatic performers are both each others' launching pads and their nets. The large male performers in the group act as human catapults, making the others airborne long enough to perform flips and other tricks before landing in a human net. They perform what you'd otherwise believe to be impossible, but breaking the boundaries between reality and imagination is what Zarkana is all about.
 

My child is 2.5 years old can he attend the show?

1 year, 9 months ago
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banakhar
 
What would a magician do when his act gets mixed reviews for having too much going on and too much filler?He'd make those parts disappear, of course.And in true magical fashion, he makes them re-appear as something much better.The recently revamped Criss Angel Believe from Cirque du Soleil brings out more of what Angel's fans have been clamoring for in the first place: magic.This production has seen some significant changes in response to feedback from guests and critics alike, and the end result is a highly focused and entertaining show.Criss Angel Believe takes his illusions and stage presence, combined with the flair and artistry Cirque is best known for -- with just enough of each to make fans of both happy.Although the magic acts in Criss Angel Believe form a loosely-connected narrative, this story is secondary to wowing the audience with illusions. From levitation to "how'd-he-do-it?" disappearances, Angel brings out all the acts he has made famous on "Mindfreak" and then some, along with some more traditional illusions with an added "Mindfreak" twist to them.From the theater itself to the set pieces used during Angel's performance, the whole atmosphere is dark with gothic accents, reminiscent of old-fashioned circuses and carnivals with a morbid twist.Angel's back-and-forth interaction with the audience throughout the show keeps things interesting, but his bumbling assistants -- four "ushers" named Maestro, Luigi, Slim and Lars --  ensure that the whole experience, from start to finish, inspires both awe and laughter. Expect lots of dark humor, as Angel has snappy commentary to accompany many of his illusions."You're applauding this woman being cut in half. Really, that's horrible. Just horrible," he says with a sarcastic grin, after a scaled-up take on the classic "saw a woman in half" trick. We've never thought about it like that, but Angel generally has an entirely different way of thinking about these illusions than your average magician does.If you've ever wanted to be a part of a larger-than-life, stage version of Angel's "Mindfreak" program -- this is the show to see.-- Staff report
 

My child is 2.5 years old can he attend the show?

1 year, 9 months ago
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banakhar
 
"KÀ" by Cirque du Soleil is a saga that follows the adventures of a brother and sister twin duo that becomes separated during a siege of their Far Eastern palace by evil warriors.Except for an opening comment by an announcer setting up the story, there is no dialogue in the 90-minute production, rather the story is told through expressive and extensive choreography enacted by the production's 80-member cast.No expense was spared when $165 million was insightfully poured into creating the spectacular theater and tremendous show. And while the entire 1,950-seat theater is encompassed in aspects of the brilliantly detailed and highly technological set, it is the performers who truly bring the multi-faceted performance space to life. Don't believe us? Sit in the first several rows and be prepared for performers to fly over your seats! Or, if you sit farther back, you will feel the rhythm of the overhead drums as they are played during some of the show's acts.Rather than a conventional stage, "KÀ" is performed on two massive, mobile platforms in addition to five other smaller lifts and platforms all of which appear to be floating through a bottomless space. Through the use of digital projections, the different scenes transform the multi-way platforms into a mountain, a beach, a palace or a battleground as well as host yet another large prop -- the wheel of death. There are many memorable technological moments in the production: an underwater scene, a glider flight over the audience and spectacular fireworks, among many other exciting acts.And while the floating stages provide a magnificent space, the spectacle becomes even more brilliant when adorned with the acrobatic expertise of the show's cast. And while every Cirque show is defined by the incredible feats achieved by the production's myriad of performers, the cast of "KÀ" performs some of the most spectacular stunts of all the Cirque productions.But while the show enthralls the audience with daring stunts, magical musical and lighting collaborations, and technological marvels, some of its greatest moments are the quiet ones, such as when the audience observes the shadow puppets created by human hands and campfire light or the passionate romance between the imperial prince and the daughter of one his captors.By embracing all aspects of the production's vivid storyline through the use of a dedicated cast as well as with dramatic and extremely advanced technology, not only does "KÀ" find a way to resonate in some way with each member of the audience, but the show also achieves the epitome a masterful production.
 

My child is 2.5 years old can he attend the show?

1 year, 9 months ago
Customer avatar
by
banakhar
 
Even if you get covered in popcorn, you won't want to stop the clown from posing as an usher and engaging in some pre-show debauchery with the crowd. With his black suit and disheveled gray hair, he has no problem amusing people. The clown is zany, mischievous and your first exposure to the unknown at Mystère by Cirque du Soleil at Treasure Island. What's ahead is a wondrous world of mystifying creatures who perform a series of incredible acrobatic and gymnastic feats.When Mystère opened in 1993, the show was the first Cirque du Soleil production in Vegas. Emphasizing awe-inspiring athleticism and imaginative imagery, it embraces all of the signature Cirque du Soleil elements that have made the production company a mainstay on the Las Vegas Strip.From rebirth to the pursuit of happiness, each of the characters and acts in Mystère symbolizes something different. They combine to create an overall theme for the show as a celebration of the circle of life. Some audience members may interpret each act as an allegory, but with the innovative costumes and performances, realizing those themes isn't necessary for enjoying this show.What makes Mystère so endearing is that many of the performances are typical circus-style acts like the flying trapeze, an aerialist and the teeterboard, an acrobatic tool where a person jumps on one end of what looks like a seesaw and the person on the other end is launched into the air. However, in Mystère, the boundaries of those disciplines are pushed, creating fantastical routines that you won't see in any other production.For instance, in the hand-to-hand routine, two muscular men demonstrate a series of gravity-defying poses and their incredible strength, but they don't even perform on a flat surface. In Mystère, the men do this while balancing on a rotating dome, adding to the awesomeness of their routine.The Tissu act is another example. In this routine a female aerialist performs while suspending herself with two pieces of fabric hanging from the ceiling. This type of act can be seen in other shows on the Strip, but in Mystère the performer combines contortion, acrobatics and movement in her routine, creating optical illusions that defy imagination.Music played by live musicians and singers drives the show. Mixing elements of everything from rock to Celtic, African and soul music, the soundtrack is just as mysterious as the action on stage.Along with awe-inspiring moments, Mystère offers a hearty does of comedy brought on by the clown "usher" and an adult-sized baby. They appear on stage throughout the show. The clown and baby don’t tell jokes, but their wacky antics and interactions with the audience make people laugh. It's hard not to chuckle when you see a man on stage wearing a diaper and a bonnet.When the comedy segments come to a close, the show quickly changes pace. Once again the audience is sitting in amazement at another thrilling routine. One of these is the Chinese Poles. For this act a group of gymnasts perform on four vertical poles. They crawl, jump and flip up, down and across the poles. Their masks add to the implausibility of their performance. While their bodies face away from the audience, their masks are looking right at them. It seems impossible, but then again, this is Mystère.-- By Caroline Fontein
 

My child is 2.5 years old can he attend the show?

1 year, 9 months ago
Customer avatar
by
banakhar
 
Get a taste of a more sensuous side of reality with Cirque du Soleil's Zumanity at New York-New York. This show explores the different realms of sexuality through stunning imagery, aerialists, comical vignettes and sultry dancing. Unlike other Cirque du Soleil productions, Zumanity has no storyline. Instead, this highly eroticized, cabaret-style spectacular has an array of unique characters whose performances are each themed by different elements of sexuality.Before the show starts, characters appear in the audience for some playful interaction."If you are visiting Las Vegas and living la vida loca make some noise!" exclaims Antonio, the first character to appear. His irresistible charm, flirtatious personality and shiny gold suit captivate the audience.While he gets the crowd aroused with some jokes, the voluptuous Botero twin sisters, dressed in racy French maid outfits, squeeze their way through the aisles. Everyone laughs as the sisters find themselves in awkward positions reaching or bending over guests while trying to hand out fresh strawberries.Little by little, Antonio and the twins make their way to the stage with a parade of other intriguing characters as the real show begins. The show's Emcee, Edie, "the Mistress of Sensuality," is played by a flawless looking drag queen who explains that she will be your tour guide on your journey through the many facets of lust, passion and sensuality.Intense drum beats fill the theater as a savage looking dancer, dressed in little more than a beaded loin cloth, performs an African tribal dance of uninhibited passion. The music intensifies as he gyrates and thrusts his body to the beat of the drums.As new performers take the stage, the tone changes from subtle flirtations to that of hedonistic pleasure. The transition of acts and moods emulates the surge of various emotions that arise in every romantic relationship.Edie reappears to introduce the next act, a slower more sensual number that conveys innocence in the face of sinful indulgence."Do you remember your first wet kiss?" asks Edie as a large bowl of water and two beautiful women appear on stage. They slip into the water and gracefully make their way to the bowl's edge for a series of incredible and sensuous poses.The different acts and performers not only explore the many sides of sexuality but they also demonstrate the amazing capabilities of the human body.The tone of the show then transforms into that of flirtatious fun as a striking woman dressed in a sexy schoolgirl outfit performs an act with hula hoops. After spinning a few hoops she takes to flight by grabbing a rope hanging from the ceiling. She gracefully twists and poses above the stage while continuing to spin the hoops in mid-air.Each of the performers is unique in their personalities and appearances, promoting the idea that beauty comes in all shapes and sizes.The Bolero sisters, along with a hilarious husband and wife duo, Mr. Dick and Mrs. Ginger, appear throughout the show for some comic relief. They turn some of the more taboo topics on sex into a source of laughter and fun for the audience.Elena, a gorgeous and sweet dancer, does a tantalizing routine on top of a television in attempt to grab the attention of her football-focused partner. Her sultry dance moves excite everyone in the audience.There are no topics off limits as Zumanity explores some of the darker sides of sex. Laetitia performs an exercise in self-inflicted pleasure and pain as she wraps herself in leather straps hanging from the ceiling. She uses the straps as a device for torture and teasing as she elegantly transitions into new poses while hanging above the stage.This intense scene is followed by a more romantic number with a male and female aerialist duo who perform a stunning dance using a white curtain hanging from the ceiling. They dazzle the audience with their graceful choreography in mid air before making their way back to the stage.Zumanity's uninhibited theme is a refreshing break from the norm. It takes an amusing look at sexuality and reminds us all that intimacy should always be about having fun.-- By Caroline Fontein
 

My child is 2.5 years old can he attend the show?

1 year, 9 months ago
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by
banakhar
 
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